Battle of Backbone Mountain

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The arts are a wide range of human practices of creative expression, storytelling, and cultural participation. They encompass multiple diverse and plural modes of thinking, doing, and being, in an extremely broad range of media. Both dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized, and sometimes intricate forms. This is often achieved through sustained and deliberate study, training, and/or theorizing within a particular tradition, across generations, and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgements, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space.

Prominent examples of the arts include:

They can employ skill and imagination to produce objects and performances, convey insights and experiences, and construct new environments and spaces.

The arts can refer to common, popular, or everyday practices as well as more sophisticated, systematic, or institutionalized ones. They can be discrete and self-contained or combine and interweave with other art forms, such as the combination of artwork with the written word in comics. They can also develop or contribute to some particular aspect of a more complex art form, as in cinematography. By definition, the arts themselves are open to being continually redefined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.

As both a means of developing capacities of attention and sensitivity and as ends in themselves, the arts can simultaneously be a form of response to the world and a way that our responses and what we deem worthwhile goals or pursuits are transformed. From prehistoric cave paintings to ancient and contemporary forms of ritual to modern-day films, art has served to register, embody, and preserve our ever-shifting relationships to each other and to the world. (Full article...)

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Hōryū-ji
Hōryū-ji
Yumedono ("Hall of Dreams"), a building in the Hōryū-ji Buddhist temple complex in Ikaruga, Nara Prefecture, Japan. The hall, which was built in 739, acquired its common name in the Heian period, in keeping with a legend that says a Buddha arrived as Prince Shōtoku, who had originally commissioned the temple, and meditated in a hall that existed there.

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Paul Kane, Self-portrait, ca. 1845

Paul Kane was an Irish-Canadian painter who was famous for his paintings of First Nations peoples in the Canadian West and other Native Americans in the Oregon Country. Largely self-educated, Kane grew up in Toronto (then known as York) and trained himself by copying European masters on a study trip through Europe. He undertook two voyages through the wild Canadian northwest in 1845 and from 1846 to 1848. The first trip took him from Toronto to Sault Ste. Marie and back. Having secured the support of the Hudson's Bay Company, he set out on a second, a much longer voyage from Toronto across the Rocky Mountains to Fort Vancouver and Fort Victoria in the Oregon Country and back again. On both trips, Kane sketched and painted Native Americans and documented their lives. Upon his return to Toronto, he produced from these sketches more than one hundred oil paintings. Kane's work, particularly his field sketches, are still a valuable resource for ethnologists. The oil paintings he did in his studio are considered a part of the Canadian heritage, although he often embellished these considerably, departing from the accuracy of his field sketches in favour of more dramatic scenes. (Full article...)

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