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Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.

Opera started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence around 1597), and was championed by Claudio Monteverdi with works such as L'Orfeo. It soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. However, in the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro, Don Giovanni, and Così fan tutte, as well as The Magic Flute, a landmark in the German tradition.

The first third of the 19th century saw the highpoint of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Meyerbeer. The mid to late 19th century is considered by some a golden age of opera, led by Wagner in Germany and Verdi in Italy. This 'golden age' developed through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in Central and Eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Schoenberg and Berg), Neo-Classicism (Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso became known to audiences beyond the circle of opera fans. Operas were also performed on (and written for) radio and television.

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Snape Maltings concert hall where Twice Through the Heart was first performed
Twice Through the Heart is a musical work by the English composer Mark-Anthony Turnage, variously described as a dramatic scena, as a monodrama, as a song cycle It is scored for mezzo-soprano and 16 instrumentalists and sets an English-language libretto by the Scottish poet Jackie Kay based on her script for a television programme. Originally intended to be a full-length opera, Twice was composed between 1994 and 1996, undergoing substantial reworking before Turnage found a form with which he was satisfied. It was first performed in 1997 when it was put on both in the concert hall and in the opera house. The critical reception has been generally favourable, with several authors commenting positively about the instrumental writing and emotional impact of the work, though some critics see limitations in the libretto or note the great demands that the vocal writing provides for the soloist.

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Cendrillon
Cendrillon
Credit: Émile Bertrand (1842–1912)
Restoration by Adam Cuerden
Émile Bertrand's poster of the 1899 world premiere of Massenet's opera Cendrillon at the Opéra-Comique in Paris. A re-telling of the Cinderella fairy tale, the opera was an immediate success, with fifty performances in its first season, and is still performed today. At the premiere, the roles of Cinderella, the Fairy Godmother, and Prince Charming were all sung by sopranos.

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Jean de Reszke

Selected biography

Facade of the Metropolitan Opera House at Lincoln Center, NYC
Maria Friderike Radner (7 May 1981 – 24 March 2015) was a German contralto who performed internationally in opera and in concerts. Radner studied at the Robert Schumann Hochschule in Düsseldorf, Germany. Both Stern magazine and Munich's Abendzeitung described her as an "extremely talented interpreter of Wagner's music". Possessing the "rare pitch of a true alto", she frequently appeared as Erda in Wagner's Der Ring des Nibelungen at the Leipzig Opera, Schwertleite in Die Walküre at the Teatro Comunale di Firenze with Zubin Mehta, and in Mahler's Symphony No. 2 (the Resurrection) conducted by Antonio Pappano in Rome and Milan. Her debut at the Metropolitan Opera (pictured) in 2012 in Götterdämmerung was part of that company's documentary Wagner's Dream. Radner died on 24 March 2015 along with her husband Sascha Schenk, their two-year-old son Felix, and her colleague Oleg Bryjak, when Germanwings Flight 9525 crashed near Prads-Haute-Bléone in France. The First Officer had a history of depression, barricaded himself into the cockpit, and deliberately crashed the plane into the mountains.

Selected quote

Victor Maurel
The combination of fine singing and fine acting is rare. Nowadays people think if they can act, that atones for inartistic singing; then they yield to the temptation to shout, to make harsh tones, simply for effect.

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Opera terms: Aria · Aria di sorbetto · Arioso · Bel canto · Breeches role · Burletta · Cabaletta · Cadenza · Cantabile · Castrato · Cavatina · Chest voice · Claque · Coloratura · Comprimario · Convenienze · Coup de glotte · Da capo aria · Diva · Entr'acte · Fach · Falsetto · Fioritura · Gesamtkunstwerk · Head voice · Intermezzo · Kammersänger · Leitmotif · Legato · Libretto · Literaturoper · Mad scene · Maestro · Melodrama · Melodramma · Monodrama · Messa di voce · Opera house · Passaggio · Portamento · Prima donna · Prompter · Recitative · Regietheater · Répétiteur · Sitzprobe · Spinto · Sprechgesang · Squillo · Stagione · Surtitles · Tessitura · Timbre · Vibrato

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