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Summary

Woodes Rogers and his Family  wikidata:Q12148246 reasonator:Q12148246
Artist
William Hogarth  (1697–1764)  wikidata:Q171344 s:en:Author:William Hogarth q:en:William Hogarth
 
William Hogarth
Description English-British painter and engraver
Date of birth/death 10 November 1697 Edit this at Wikidata 25 October 1764
Location of birth/death London London
Work location
Authority file
artist QS:P170,Q171344
image of artwork listed in title parameter on this page
Title
Woodes Rogers and his family
Object type painting
object_type QS:P31,Q3305213
Genre portrait Edit this at Wikidata
Description
English: Woodes Rogers and his Family

An early conversation piece by Hogarth showing the family of Woodes Rogers (circa 1679-1732), a famous Bristol seaman and later Governor of the Bahamas. Rogers is seated to the right facing left, wearing a jacket, breeches and a cloak draped over his right knee. He wears a full wig, buckled shoes and holds a pair of dividers in his right hand to signify his maritime associations. On his right stands a young man, probably his son, William, who holds a map of (New) Providence Island, in the Bahamas (the site of Nassau, the capital). On the left is a girl thought to be Rogers' daughter, Sarah, holding a book on her knee. The group is framed by trees on the right and a fortification wall on the left bearing a cartouche inscribed 'Dum Spiro, Spero, 1729' ('While I live, I hope'). In the background is a depiction of a ship being saluted as it enters harbour and it is possible that this portrait was produced to celebrate Rogers's return to Nassau in 1729, and was painted shortly before his departure. On the right a globe stands in the foreground, which completes the emblematic inclusion of ship, globe, dividers and map celebrating Rogers' achievements. Hogarth also permits real life to intrude in the form of the maidservant holding a plate of tropical fruit. She stands behind the silk-clad Sarah, dressed in imitation of her mistress by wearing a string of pearls and a bow in her cap. Hogarth as satirist hovers over the composition since the servant potentially subverts the formality of the grouping by introducing a spark of wit. The dog at Sarah's feet, also wearing a bow, supports this interpretation.

Woodes Rogers lived in Queen's Square, Bristol, and in 1708, during the War of the Spanish Succession, he commanded a privateer squadron of two ships (the 'Duke' and 'Duchess') that sailed from Bristol to the South Seas via the Horn. In 1709 he called at Juan Fernandez where he refitted and discovered Alexander Selkirk, who had been marooned there for four years. Selkirk was the model for Defoe's Robinson Crusoe. He subsequently raided the coast of Peru, sacking Guayaquil and being seriously wounded twice before returning round the world to England in 1711. In 1712 he published an account of his voyage, which may be the book which his daughter is shown holding here. In 1717 he obtained a 22-year lease on the Bahamas and a commission as Governor. After three years of combating Caribbean piracy there he returned to England in 1721 but went back as captain-general and governor-in-chief in 1729. He died at Nassau in 1732. His son, William Whetstone Rogers, was one of the Council of the Bahamas and later one of the three chief merchants of the Royal Africa Company. The portrait, which has an unbroken provenance since Sarah Rogers inherited it from her father in 1732, is signed 'W. Hogarth' and is dated on the architectural cartouche.

Scan enlargement of BHC2973 CT Woodes Rogers and his family, William Hogarth 1729
Date 1729
date QS:P571,+1729-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions Painting: 355 x 455 mm; Frame: 599 mm x 734 mm x 80 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC2973
Notes This object was sighted as being on display during the Collections Inventory Project (2001-2005). It will need to be checked for object numbers and its condition activity updated
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/14446
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Other versions
Identifier
InfoField
Acquisition Number: 1934-23
id number: BHC2973
Collection
InfoField
Oil paintings

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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Date/TimeThumbnailDimensionsUserComment
current13:18, 19 September 2017Thumbnail for version as of 13:18, 19 September 20171,280 × 939 (845 KB)Royal Museums Greenwich Oil paintings (1729), http://collections.rmg.co.uk/collections/objects/14446 #1028
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