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Ancient Greece theatre in Taormina, Sicily, Italy

Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").

A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. (Full article...)

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The Author's Farce is a play by the English playwright and novelist Henry Fielding, first performed on 30 March 1730 at the Little Theatre, Haymarket. Written in response to the Theatre Royal's rejection of his earlier plays, The Author's Farce was Fielding's first theatrical success. The first and second acts deal with the attempts of the central character, Harry Luckless, to woo his landlady's daughter, and his efforts to make money by writing plays. In the second act, he finishes a puppet theatre play titled The Pleasures of the Town, about the Goddess Nonsense's choice of a husband from allegorical representatives of theatre and other literary genres. After its rejection by one theatre, Luckless's play is staged at another. The third act becomes a play within a play, in which the characters in the puppet play are portrayed by humans. The Author's Farce ends with a merging of the play's and the puppet show's realities. The play established Fielding as a popular London playwright, and the press reported that seats were in great demand. Although largely ignored by critics until the 20th century, most agree that the play is primarily a commentary on events in Fielding's life, signalling his transition from older forms of comedy to the new satire of his contemporaries.

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Gielgud performing in Much Ado About Nothing
John Gielgud (1904–2000) was an English actor and theatre director who, along with Ralph Richardson and Laurence Olivier, dominated the British stage for much of the 20th century. A member of the Terry family theatrical dynasty, he became a star in the West End and on Broadway by the 1930s, appearing in new works and classics. He began a parallel career as a director, and set up his own company at the Queen's Theatre, London. Though he made his first film in 1924 and had successes with The Good Companions (1933) and Julius Caesar (1953), he did not begin a regular film career until his sixties. He appeared in more than 60 films between Becket in 1964 (his first Academy Award nomination) and Elizabeth in 1998. As the acid-tongued Hobson in Arthur (1981) he won the Academy Award for Best Supporting Actor. He earned a Golden Globe Award and two BAFTAs, and had the rare distinction of winning an Oscar, an Emmy, a Grammy, and a Tony. He broadcast more than 100 radio and television dramas and made commercial recordings of many plays, including ten of Shakespeare's. He was knighted in 1953 and was president of the Royal Academy of Dramatic Art from 1977 to 1989.

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Peter Ustinov
By increasing the size of the keyhole, today's playwrights are in danger of doing away with the door.
Peter Ustinov, Christian Science Monitor, 1962

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